In contrast to Kandinsky’s intricate articulation (in both theory and practice) of the spiritual purpose of form, de Kooning’s work is an interesting anomaly.  It is curious that de Kooning, in this period of artistic uninhibitedness, is regarded by more than one critic as evoking a sort of vacancy in his work, a deliberate descent into visual paradox, an emptiness and a void. 

Allison Cross has studied writing with Helen Klonaris, Roxanne Snider, and Shuly Xóchitl Cawood. She recently completed a […]

Michael Manerowski’s writing has seen publication in Laurel Review, Hawaii Pacific Review, The Briar Cliff Review, The Alembic, […]

Wendy Scheir holds a BA in English Literature, an MFA in Film, and an MA in History from […]

Sicilian Canadian poet and short story writer Salvatore Difalco lives in Toronto, Canada. His work has recently appeared […]

Linda Boroff graduated from UC Berkeley with a degree in English. She was nominated for Pushcart Prizes in […]

Mark Mullen lives in Virginia and teaches in the University Writing Program at the George Washington University in […]

Joe McAvoy lives in Portland, Oregon with his wife, Kyle, and their English Lab, Rosie. His short fiction, […]